![]() In Indian classical music, melody is notated around the rhythm. ![]() Explanations follow after the image and audio. The composition I have chosen for illustration is a bandish in Raag Kedar, set to the teentaal rhythm cycle and a lively tempo ( drut laya). The compositions come with recordings as well as Indian and Western notation.) Romanized Digital Notation for Indian Classical Music (My Raga Compositions page offers simple compositions in several ragas for anyone interested in learning to sing or play them. In the last section, I briefly explain my method of Western notation of compositions presented on this website. Vishnu Narayan Bhatkhande, which all students should be familiar with. The second section explains the traditional system of notation developed by Pt. If you are not familiar with the basic concepts of Indian classical music, I strongly recommend that you read my pages on the notes, ragas, and rhythms before you continue reading this page.Īnyway, here I will first introduce my own system of notation, which is based on the traditional system, but tweaked to make it easier to write and share digitally. This page uses a simple composition ( socha samajha mana mita piyaravaa in Raag Kedar) to explain three different systems of notation. ![]() When you learn a new raga, you notate a few basic melodic phrases, patterns and simple compositions in that raga so that you can recall them later. But we do use notation to teach and learn music. In Indian classical music, we do not notate music for performance purposes because a classical music performance, by definition, is extemporaneous.
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